{"id":12554,"date":"2024-03-11T15:41:15","date_gmt":"2024-03-11T15:41:15","guid":{"rendered":"https:\/\/www.eskenzipr.com\/?p=12554"},"modified":"2024-03-12T10:08:50","modified_gmt":"2024-03-12T10:08:50","slug":"cybersecurity-goes-to-hollywood","status":"publish","type":"post","link":"https:\/\/www.eskenzipr.com\/2024\/03\/11\/cybersecurity-goes-to-hollywood\/","title":{"rendered":"Cybersecurity goes to Hollywood \u2013 an Eskenzi PR review of Argylle and Beekeeper"},"content":{"rendered":"

While Oppenheimer may have dominated last night\u2019s Oscars, two other recent films piqued the attention of the Eskenzi team thanks to their focus on cybersecurity – Argylle and Beekeeper.<\/span>\u00a0<\/span><\/p>\n

Cybersecurity and hacking are hardly new tropes within cinema \u2013 1983\u2019s WarGames, for example, focused on a hacking storyline, while Lisbeth Salander\u2019s hacking skills are central to the Girl with the Dragon Tattoo series. However, with cybersecurity now integral to our lives and our economy, the topic is increasingly drawing filmmakers\u2019 focus. But how accurate is the depiction of cybersecurity in cinema? And is there anything we can learn about cybersecurity practices?<\/span>\u00a0<\/span><\/p>\n

Recently, two of the Eskenzi PR team, Charley and Rohit, visited the cinema to watch films with cybersecurity at the heart of the storylines and provided their thoughts on what they saw.<\/span>\u00a0<\/span><\/p>\n

Charley watched Argylle:<\/span>\u00a0<\/span><\/p>\n

It is not immediately obvious that Argylle is a film centred around a stolen Masterfile (in fact, it\u2019s not immediately obvious what the film\u2019s about at all). A Masterfile on (of all things) a USB stick shaped like a silver bullet. Do computers actually have USB ports anymore?<\/span>\u00a0<\/span><\/p>\n

Oh no, <\/span><\/i>I thought, as a man sat in an empty room in the Docklands, surrounded by many screens, started manically bashing on a keyboard. I think he\u2019s downloading the file onto said USB stick. Regardless, he is shot in black and white with, and I\u2019m not joking, fluorescent green hair. Predictable, yes. Enough to make me squirm in my seat? No, not yet.<\/span>\u00a0<\/span><\/p>\n

An undisclosed amount of time later, that same room was cleared. To show the passing of time, it\u2019s no longer shot in black and white. But here\u2019s the kicker. Under the floorboards of this completely empty room is a notebook, with the hacker\u2019s signature stamp (the anarchist symbol) printed on the front, that (I kid you not) has all of his hackery hacking material in it, code and all. Yikes. What\u2019s the first rule of cybersecurity? Don\u2019t write it down. May I suggest a secure, encrypted vault for such information, like a password manager (Keeper, for example)?<\/span>\u00a0<\/span><\/p>\n

Oh, but the \u2018hacking\u2019 doesn\u2019t stop there. <\/span>Please, <\/span><\/i>I hear you beg, <\/span>not more! Has no one ever heard of MFA? <\/span><\/i>Cut to another scene, John Cena sits in the back of a van, bashing keys and shouting a litany of nondescript cyber-adjacent buzzwords like \u2018backdoor\u2019 and \u2018firewall\u2019. Not full sentences really, just words, as an online world opens up for him. For a film that hinges on the fact that its protagonist is adept at \u2013 perhaps obsessive over – \u2018meticulous research and detail\u2019, it\u2019s obvious that this courtesy doesn\u2019t extend to those who carry out international espionage of the cyber kind. But then maybe I\u2019m taking it far too seriously.<\/span>\u00a0<\/span><\/p>\n

Rohit watched Beekeeper:\u00a0<\/span>\u00a0<\/span><\/p>\n

Seeing the trailer for Beekeeper, with explosions, Jason Statham shooting guns and high-octane action, I was already interested in where the story was going. But then to see there was a cybersecurity element to the storyline, I was intrigued…but I wasn\u2019t completely sure how it all tied in. <\/span>I guess the trailer did its job because I ended up visiting my local cinema to see it.\u00a0<\/span>\u00a0<\/span><\/p>\n

So, it\u2019s a cyber-thriller action film with Jason Statham playing Adam, a former human intelligence operative as part of the Beekeepers Group, which protects the United States and acts above the government. Thankfully, he is also an actual beekeeper so I\u2019m glad he\u2019s doing his part for the wider world.<\/span>\u00a0<\/span><\/p>\n

Sadly, his elderly landlord becomes a victim of an online phishing scam which results in $2 million being stolen from her bank account, pension, and a charity she helps manage. This leads her to commit suicide and sets off a domino effect of fighting, explosions, and bullets.<\/span>\u00a0<\/span><\/p>\n

Phishing is widely considered the number one attack vector and the elderly population is an extremely vulnerable demographic, so it was nice to see the storyline stick to a well-known reality in the current world.<\/span>\u00a0<\/span><\/p>\n

Adam, hell-bent on revenge, goes on a violent rampage (much of which is very farfetched) to uncover the cybercriminal group and the hackers behind the attack and bring them to justice. This is where the storyline became preposterous but predictable, boring, and annoying \u2013 Jason Statham was constantly swaying between a British and American accent. I\u2019m also unashamed to say that I fell asleep briefly during the middle part of the film \u2013 damn those wide and comfortable recliner seats!<\/span>\u00a0<\/span><\/p>\n

Nevertheless, the film did raise a serious issue of phishing and for us to improve the cybersecurity awareness of those around us. If action films continue to spread this message, then I\u2019m all for it!<\/span>\u00a0<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

While Oppenheimer may have dominated last night\u2019s Oscars, two other recent films piqued the attention of the Eskenzi team thanks to their focus on cybersecurity – Argylle and Beekeeper.\u00a0 Cybersecurity…<\/p>\n","protected":false},"author":31,"featured_media":12555,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[141,186,227],"tags":[234,232,50,233,204],"yoast_head":"\nCybersecurity goes to Hollywood \u2013 an Eskenzi PR review of Argylle and Beekeeper - Eskenzi PR<\/title>\n<meta name=\"description\" content=\"Cybersecurity goes to Hollywood \u2013 an Eskenzi PR review of Argylle and Beekeeper as two employees venture to the cinema\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eskenzipr.com\/2024\/03\/11\/cybersecurity-goes-to-hollywood\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cybersecurity goes to Hollywood \u2013 an Eskenzi PR review of Argylle and Beekeeper - 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